Poetic expression of a poetic nation
In my impression, China's stage art has long been limited by certain norms and patterns, as rigorous as industrial procedures, and eventually fallen into a combination of various programs, and it is difficult to see the talent of the creators and performers. In order to please the audience, there is almost nothing left but the only skill, that is, skim and make you laugh. There is also a large number of funds and manpower to build luxurious, complex scenes, creating a visual feast. However, because its soul is scattered, the lack of internal cultural conservation and ideological level, eventually become a homemade blockbuster of another reversion, after looking only to be more empty and boring. The uniqueness of Agha Fagafaga Bea lies in the fact that it sees these abuses and accurately identifies the main thrust of its expression: poetic expression of poetic people.
Its production team is the most talented combination of Xinjiang, its artistic director is the literary critic Han Ziyong, the total writing is the poet Shen reed, the music director is the composer Ye Linhua, the director is Kulesi Gekaiv. This determines its height and guarantees its ultimate effect. They gathered the folk songs, customs, tunes, dances, ornamentation and many details of daily life of the Kazak in every corner of Aletai, and presented the ancient culture of an ancient prairie nation in front of the audience in the way of singing and dancing. These elements are traditional, but their methods are modern. In the process of traditional and modern breeding, reproduction and growth, these ancient elements have new vitality and embody a unique artistic brilliance.
Respect for life, praise for love, worship for heroes and yearning for Carnival have always been the themes of literature and art. But to express these forms of life and enhance these themes to the general feelings of mankind requires not only talent and passion, but also courage and vision. Agha Fagafaga Bea is composed of four parts: "life Stan", "hero Stan", "love Stan" and "Carnival". Although these four parts are the four themes, their inner pursuit of poetry and their pure expression make their inner poetry and passion run through. Among them, "Lullaby", "horseshoe dance", "stone man dance" and the last Carnival scene and the diffuse elements of Kazakhstan music are particularly shocking. Each of its elements is fresh to us, and its national characteristics can touch the mind of anyone in any region, any nation and any cultural background through art processing. This pursuit has made it come out of Aletai, go out of Xinjiang, go to any place to perform, and make it possible to become a classic of stage art. It uses an open spirit to transform cultural resources into "soft power" that affects the hardness of the mind. It confirms the great idea that the more ethnic is, the more the world is.
This song and dance poem runs through all the artistic elements in the spirit of poetry, and internalize the avant-garde consciousness of poetry into every detail. This makes it unique. The avant-garde consciousness has been badly lost in today's literary and artistic expression, in addition to the needs of the popular people and the author's intention to make a shallow and obscure and mysterious, which keeps it away from the true spirit of the vanguard. Another wonderful thing about Agha Fagafaga Bea is the use of the avant-garde consciousness, the means which can be recognized by the elite and accepted by the masses, and embodies its strong Symbolism: the attachment to our homes, the search for our deteriorating roots, the transmission of the great love between the creatures of all creatures and the nature of nature. The equality and harmony of all things is a precious traditional consciousness of the Chinese nation as well as the Kazakh people as one of the Chinese nation. Today, it is of practical significance to excavate and highlight its meaning and value.
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